Fashion Wonderland: Zuhair Murad f/w 2012-2013
Where do you think Van Gogh rates in the history of art?
I seriously haven’t watched a second of this show, but this will always be my favourite scene in media history
If you didn’t cry, you have no heart.
I’m not much of a fan of post-Moffat Who, but thinking about this scene and portrayal of Van Gogh still makes me tear up.
I look like an extremely professional fashionable woman in an Abaya. It probably took me AGES to look this professional right?
WRONG. I’m actually wearing my onesie underneath it and you will NEVER KNOW MWAHAHAHA
Wanna know another secret? Even though i LOOK like I’m paying attention to whatever nonsense you are saying…..
I AM ACTUALLY WEARING HEADPHONES AND LISTENING TO MUSIC
I’ve been getting a lot of asks lately about the brushes and textures I use in my work, so here’s a BIG FAT REFERENCE POST for those of you who were curious! Bear in mind that I’m really lazy and don’t know what half the settings do, so don’t be afraid to experiment to figure out what works best for you :>
I use the pencil tool with SAI’s native paper texture both for sketching and for applying opaque color with no blending. Lower opacities give it the feel of different pencil hardnesses, while full opacity makes it more like a palette knife, laying down hard-edged, heavy color for detail work or eventual blending with other brushes.
Mostly made this because I’m lazy and I didn’t want to have to keep turning my textures off/opacity up when I wanted to ink something (even though I don’t do it very often), or lay down flat colors. I find the line quality to be much more crisp than Photoshop, and you can manually adjust in-program stabilization to help smooth out hand wobbles.
The plain ol’ brush tool acts as sort of an in-between for me in terms of brush flow. It’s heavier than my usual workhorse brush, for faster color application and rough blending, but not as heavy as the pencil tool, which has no blending at all. I like to use the canvas texture on this brush to help break up the unnatural smoothness that usually accompanies digital brushes, but it works just fine without.
A brush tool set to flat bristle is by far my favorite to paint with. I don’t use any textures with it because I think the shape of the brush provides enough of that by itself. I use it for everything from rough washes to more refined shaping and polish. It’s just GREAT.
Best used for smooth blending, washes, gradients, and smoky atmospheric effects.
Basically a grittier version of the watercolor tool, because too much smoothness weird me out. Good for clouds and fog, as the name suggests, or just less boring gradient fills.
To further stave off the artificially smooth look of digital painting, I almost always overlay some sort of paper texture, and it’s almost always this one, which I scanned and edited myself. You’re all welcome to use it, no permission required!
Using overlays in SAI is just as easy as using them in Photoshop. Just paste the texture into its own layer above everything you want it to apply to, and change the layer mode to Overlay. That’s it!
Want a more prominent texture? Up the contrast. Something more subtle? Lower the contrast or reduce the layer opacity. You can also use a tinted overlay to adjust the overall palette and bring a little more color unity to an otherwise disparate piece! Just be aware that too much texture can hurt the readability of the work beneath it, so I’d err on the side of subtlety.
Hope that helps!
‘what doesn’t kill you makes you stronger’
what if i cut off your left leg
would that make you stronger
this is a golden post
hey yall! (if youre not southern you probably cant read this)
BY: JOE DORAN （杜乔）
In 1801, a pirate named Zheng Yi was busy raiding Canton. Aside from the prerequisite plundering and rum-drinking, he had given his men one specific order: to break into a local brothel and bring him the prostitute Zheng Yi Sao (郑一嫂), or “Zheng Yi’s wife”.
One might expect a sinister fate to have awaited Zheng Yi Sao upon her deliverance to the pirate captain (rape, swiftly followed by murder, being the most obvious). In actuality, Zheng Yi’s intentions were considerably more gentlemanly.
He intended to marry her. And recognizing that her current future prospects were rather limited, Zheng Yi Sao accepted.
But Zheng Yi Sao didn’t intend on spending the rest of her days as some plunder-hungry pirate’s eye candy. She wanted to become a pirate as well, and she did – one of the greatest pirates to have ever lived.
That first part doesn’t do justice, here read this:
Right from the get-go, Zheng Yi Sao displayed a staggering degree of cunning. She happily accepted Zheng Yi’s proposal, but only on the condition that he share his wealth and power with her, equally. Then, while her new husband went about his pirate duties – further plunder and rum-drinking, presumably – she focused on the business side of things. The result was that in six years, she had engineered an alliance between Zheng Yi and his former pirate rivals, amassed a force of some 1500 ships (called the Red Flag Fleet) and created a swashbuckling empire that extended all the way from Korea to Malaysia.
Zheng Yi certainly knew how to pick ‘em.
Unfortunately, Zheng Yi was killed in 1807 after a misunderstanding with a typhoon. Unfortunate for him, but extremely fortunate for Zheng Yi Sao. Refusing to step aside like a good, diligent widow, Zheng Yi Sao took charge of the Red Flag Fleet, convinced her late husband’s First Mate to support her and swiftly set about making herself the most respected and/or feared individual in all the East.
If films/books/video games have taught us anything, it’s that pirates were a rowdy bunch at the best of times, and their attitudes towards women were…less than progressive. Zheng Yi Sao, of course, was having none of that and quickly established a new pirate code to keep her peg-legged men in line. Anyone who looted a town that had already paid tribute had their head cut off and was dumped in the ocean. Anyone caught, or even suspected, of stealing from the treasury had their head cut off and was dumped in the ocean. Anyone who raped a female prisoner had their head cut off and was dumped in the ocean (there’s a pattern there somewhere).
Needless to say, Zheng Yi Sao was not messing around. Not all her laws were quite so decapitation-happy, though. Ugly female prisoners were to be set free, and when a crewmember purchased one of the prettier captives, he had no choice but to marry her.
But if he was unfaithful…head cut off, dumped in the ocean.
After just one year leading her pirate hegemony, Zheng Yi Sao had formed one of the largest navies on the planet, with some 17,000 men under her command. Extorted tributes from merchants across the Chinese seas and from the coastal towns between Macau and Canton swelled her treasury to staggering levels, and her power was so great that she became the de facto government of the region. No longer was she merely a pirate; she was an entire political entity.